Hello! Haven’t seen this suggestion in ideas topic, so…
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It would be great to have much more autumn assets for trees and bushes (especially trees and bushes with no\just a few leaves for late autumn)or maybe an opportunity to change season for whole scene - with grass and all vegetation changing at once. For now there are no autumn bushes at all and trees are too bright and unnatural and its hard to change grass color.
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There’s a lack of public interior parallaxes which are often necessary, such as school\kindergarten classes and lobbies, hospital, fitness and indoor sport (basketball\ tennis\gymnastics halls, pool\fitness\spa for example), also residential lobbies and common areas.
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Also it would be nice to have a way to light up an empty room more easily with some basic interior flood light - in large scenes with lots of windows or if there’s a big interior space it’s hard to do with rectangle or spot lights, you have to copy lots of them and it’s complicated to control scene light after that.
I completely agree with your points, autumn assets and versatile interior lighting would make such a huge difference. In my recent projects, I found that creating late autumn scenes was really tricky because trees and bushes either looked too full or unnaturally bright, and changing the grass colour manually for the whole scene was quite time-consuming. A seasonal toggle or more ready-made autumn foliage would definitely save a lot of time.
Regarding public interior parallaxes, I’ve noticed the same limitations. For instance, when I was working on a community centre interior, having access to ready-made school or fitness hall parallaxes would have sped up the workflow significantly. Right now, you often have to construct these spaces from scratch, which can be tedious and difficult to light correctly.
Speaking of lighting, having a simple interior flood or ambient light option would be a game-changer. In large spaces with many windows, trying to balance rectangle or spot lights across the scene can be a headache. A more intuitive method to light empty rooms would be a huge quality-of-life improvement.
At my practice, dRAW Architecture often experiments with seasonal and interior lighting setups for client visualisations, and tools that make foliage, parallaxes, and interior lighting more flexible could really help bring such scenes to life much faster.